From environmentalist exposés and seriously effed up festival films to stranger than fiction stories of estranged brothers, billionaire fraudsters, and cultural icons, there’s no shortage of fascinating documentaries to watch over on Netflix UK. But when it comes to choosing exactly what kind of dose of reality you’re in the mood for, we know it can be tough. So, whether you’re looking for a true crime fix, a soothing subaqueous adventure, or something a little more sensational and hard to believe, we’ve come up with a list (in no particular order) of 25 of the best documentaries that the streamer has to offer.
And if you’ve had enough of the real world for one day, then why not take a look at our picks for the best movies on Netflix UK? Or, for something a little more bingeable, perhaps give our list of the streamer’s best TV shows a go?
Trainwreck: Woodstock ‘99
Forget putting out fires with gasoline, at the ill-fated and now infamous Woodstock ‘99, ringmasters John Scher and Michael Lang were putting out fires with bigger fires - and also Fire, by Jimi Hendrix. Capitalist greed, unmanageable crowds, rage-fuelled music, rampant substance abuse, and a total abdication of accountability, responsibility, or indeed basic human decency all conspired to ensure that the road to hell - AKA Griffiss Air Force Base, New York circa July 1999 - wasn’t even paved with good intentions. In Jamie Clayton’s eye-widening Trainwreck: Woodstock ‘99, Lord Of The Flies rivalling archival footage is interspersed with wince-worthy eye-witness testimony to try and piece together how an anticipated millennium defining celebration of peace and love devolved into a cesspit of anger, abuse, and arson. It makes the Fyre festival look like a trip to Center Parcs.
Three Identical Strangers
New York, 1980. Three young men - David Kellman, Eddy Galland and Bobby Shafran - become unlikely celebrities when an unwritable twist of fate leads them to discover that they are in fact triplets, inexplicably separated at birth and hitherto entirely unaware of one another’s existence. That, in and of itself, is a heck of a hook for a documentary. But British filmmaker Tim Wardle’s Three Identical Strangers dives deeper yet to question our very understanding of reality and identity as we learn why the brothers were kept apart at all. Occasionally sensational but ceaselessly captivating, Wardle’s film - which dexterously handles its French pastry’s worth of twists - simply has to be seen to be believed.
Moonage Daydream
Astonishingly ambitious, Brett Morgen’s Moonage Daydream is a kinetic, life-affirming, deeply affectionate tribute to one of the greatest artists who ever lived. Accepting the undefinable nature of David Bowie as man, artist, androgynous being, and eternal occupant of both “all” and “other” distinctions, Morgen throws off the shackles of talking heads and chronological structure in pursuit of capturing something altogether more ephemeral - a feeling that ebbs, flows, shapeshifts, and pulses with the life force of an unending icon. Through a wickedly imaginative, kaleidoscopic tapestry of live performances, TV interviews, candid archival footage, audio recordings, and abstract imagery spanning a century of cinema and a millennia of art and cultural development, Morgen expands our sense of what a documentary can be, of who Bowie was. And, best of all, the whole thing is just one hell of a show. Let the children boogie!
Read the Empire review here.
The Tinder Swindler
Well worth a figurative swipe right on your next Netflix search, Felicity Morris’ The Tinder Swindler tells the absolutely astonishing story of Cecilie Fjellhøy, a young woman who meets the billionaire international playboy of her dreams on a dating app only to find that *gasp* all is not quite as it seems. But, what starts out as little more than a bougie episode of Catfish soon snowballs into something altogether darker (and admittedly more thrilling) as the victims of Israeli fraudster Shimon Hayut - including Fjellhøy - conspire to con a con, help the police, and reclaim their narrative. Expect your eyes to roll and widen in roughly equal measure at the sheer madness of the story being told here - eBay sales have never been so riveting!
Tell Me Who I Am
Ed Perkins’ Tell Me Who I Am is not a documentary for the faint of heart. Honestly, even for those who generally can handle their weighty true life stories, we’d still advise treading carefully with this one. Centring on twin brothers Alex and Marcus Lewis, the former of whom lost his memory following a motorcycle accident at the age of 18, Perkins’ film revolves around two similar but vitally different questions. Firstly, if you had the chance to erase the worst thing that ever happened to someone you love from their mind, would you? And secondly, arguably more importantly, should you? This is the decision we find the two brothers dealing with the repercussions of as we learn about their deeply troubled childhood. Dark as this one gets - and it does get incredibly dark - the love between these siblings after all they’ve endured is an incredible thing to behold.
Arnold
Athlete. Actor. American. These are the titles given to the three chapters of Lesley Chilcott’s limited docu-series Arnold, an exhaustive deep-dive into the life and career of Arnold Schwarzenegger. Chilcott’s tripartite approach neatly splits the doc’s attention between the Terminator star’s formative years as a bodybuilder growing up in Austria, his rise to movie stardom in films such as Predator and Total Recall, and his successful political career as California’s most recent Republican Governor. However, what really makes this such a compelling watch, besides the extensive archival footage and impressive array of interviewees, is Arnie himself and his commitment to addressing his failures as readily as his victories, both personally and professionally. There’s no hero worship here, just a fascinating account of the life of a fascinating man who knows how to kick some ice!
Lewis Capaldi: How I’m Feeling Now
In How I’m Feeling Now, self-proclaimed Scottish Beyoncé and ‘Someone You Loved’ singer Lewis Capaldi drops his banterous persona and opens himself up, letting viewers see what transitioning from inner city obscurity to global superstardom can do to a person. Here, Bros: After The Screaming Stops filmmaker Joe Pearlman takes a fly on the wall approach as he crafts yet another intimate portrait of the realities underpinning the fantasy of fame and fortune. Refreshingly candid about the machinations of the modern music industry and the immense pressure it puts on young stars to shine bright or burn out, but also unflinching when it comes to Capaldi’s mental health struggles and recent Tourette’s diagnosis, Pearlman;s latest is a real eye-opener.
Rolling Thunder Revue: A Bob Dylan Story
Part electrifying concert film, part rollicking documentary ride, and part sleight of hand from one of cinema’s great conjurors, Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story is almost beyond classification. Ostensibly an account of the 1975-‘76 leg of Dylan’s eponymous travelling show, Scorsese’s companion piece to 2005 doc No Direction Home sees the Goodfellas filmmaker donning his Dylanologist cap once more to create a portrait of the enigmatic artist that’s every bit as tricksy, unyielding, and meddlesome as its subject. Juggling live performances, tour footage, archival fabrications (*cough* Sharon Stone *cough*), a rare new interview with the man himself, and interstitial elements that capture the musical and cultural zeitgeist of the 70s, this is a film quite unlike any other. It’s genius documenting genius, and the end result is *checks thesaurus* virtuosic.
Read the Empire review here.
Blackfish
A damning exposé of SeaWorld and those who sail within her, Gabriela Cowperthwaite’s seminal documentary Blackfish focuses on killer whale, Tilikum. Dragging trainer Dawn Brancheau into a pool and killing her (after two previous, similar incidents), the ‘nature or nurture’ question is given some serious heft - was the floppy-finned, 12,000 pound Tilikum born a killer, or is his cramped captivity to blame? It’s not hard to see why thousands felt the need to boycott SeaWorld upon the film’s release.
Read Empire’s review here
A Love Song For Latasha
The injustice surrounding the shooting death of 15-year-old Latasha Harlins at a South Central Los Angeles store became a flashpoint for the city’s 1992 civil uprising. As the Black community expressed its profound pain in the streets, Latasha’s friends and family privately mourned the loss of a vibrant child whose full story was never in the headlines. Nearly three decades later, director Sophia Nahli Allison’s breathtaking A Love Song For Latasha removes Latasha from the context of her death and rebuilds an archive of a promising life lost.
My Octopus Teacher
After years spent filming some of the planet’s most dangerous animals, Craig Foster was burned out and depressed, his family relationships in turmoil. He decided to put a halt to his career to reconnect with his own roots - the magical underwater world of the kelp forest off the coast of Cape Town, South Africa, the place he calls home. For nearly a decade, Craig went diving daily in the icy cold waters, ditching wetsuit and scuba rig in one of the most predator dense places on earth. The common octopus he met and tracked became first his subject, then his teacher, showing him things no human had ever witnessed. Shot over eight years, with 3000 hours of footage, My Octopus Teacher documents a unique friendship, interaction and animal intelligence never seen before.
Becoming
Nadia Hallgren’s Becoming follows Michelle Obama as she embarks on a book tour across America after the end of her husband’s Presidency – reflecting on her own younger life, and the historic nature of her time as First Lady in the White House. Whilst polished with a veneer of stately authorisation - there’s no bombshells or scathing Trump takedowns here to really speak of - this nevertheless offers an eye-opening account of a woman whose journey from media pariah to global icon in her own right is nothing short of inspirational.
The Last Dance
Even if you barely know a thing about basketball, chances are you'll find something fascinating about The Last Dance. In the fall of 1997, Michael Jordan and the Chicago Bulls began their quest to win a sixth NBA title in eight years. But despite all Jordan had achieved since his sensational debut 13 years earlier, “The Last Dance,” as coach Phil Jackson called it, would be shadowed by tension with the club’s front office and the overwhelming sense that this was the last time the world would ever see the greatest player of all time, and his extraordinary teammates, in full flight. Featuring interviews with many who were there at the time, it picks apart the personalities and peeks behind the curtain of the sport.
Challenger: The Final Flight
Executive produced by J.J. Abrams and Glen Zipper, Challenger: The Final Flight is a four-part docuseries that examines the 1986 Challenger space shuttle, which tragically broke apart 73 seconds after launch as millions of Americans—many of them schoolchildren— watched live on television. The series offers an in-depth look at one of the most diverse crews NASA assembled, including high school teacher Christa McAuliffe, who was selected to be the first private citizen in space.
Fyre: The Greatest Party That Never Happened
Created by Billy McFarland and rapper Ja Rule, Fyre was promoted as a luxury music festival on a private island in the Bahamas featuring bikini-clad supermodels, A-List musical performances and posh amenities. Guests arrived to discover the reality was far from the promises. Slapped-together sandwich meals, dodgy tent accommodations, lost luggage, a quite frankly insane offer that certainly could be refused… and that’s just the tip of the iceberg. Documentarian Chris Smith - who also worked on Jim & Andy: The Great Beyond and American Movie - scored amazing access to many of the people involved and lets the disaster unfold in all its cringing (in)glory.
13th
13th, Ava DuVernay’s follow-up to Selma, is a sobering, articulate and timely documentary about the American justice system and prison-industrial complex, drawing clear connections between slavery and the overwhelming incarceration of black men in the present day. Compellingly argued, propulsively told, and hugely relevant, DuVernay's film only continues to feel increasingly timely as the world turns and racism continues to rear its ugly head.
Icarus
Director Bryan Fogel’s bold gambit was this: to investigate doping in sports, Fogel (an amateur bike racer) would dope himself, observe the changes in his performance, and see if he could evade detection. In doing so, he was connected to a renegade Russian scientist, Dr. Grigory Rodchenkov, a pillar of his country's "anti-doping" program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia's state-sponsored Olympic doping program. When the truth is more complex than imagined, and accusations of illegalities run to Russia's highest chains of command, the two realize they hold the power to reveal the biggest international sports scandal in living memory.
Jim & Andy: The Great Beyond
Director Chris Smith’s Jim & Andy: The Great Beyond is a fascinating deep dive into the time actor Jim Carrey spent portraying famed and complicated comedian Andy Kaufman. Drawing on approximately 100 hours of footage shot on the set of Man On The Moon, Smith’s doc pivots on Carrey’s months-long transformation, body (and seemingly soul), into Kaufman. Jim Carrey earned critical acclaim and a Golden Globe for his performance as Kaufman, but many of the production’s most Kaufmanesque moments played out behind the scenes, captured on video by Andy’s former girlfriend Lynne Margulies and his former writing partner, Bob Zmuda. In Jim & Andy, Carrey looks back at the resulting footage 18 years later, reflecting on how he and Andy came up in oddly parallel universes, his experiences channeling Andy, and more broadly the tumultuous, illuminating spiritual journey of his career to date.
Making A Murderer
Making A Murderer follows the plight of Winconsin salvage yard-worker Steven Avery. Having served 18 of his 32-year sentence for the sexual assault and attempted murder of Penny Beerntsen, new DNA evidence finds him - a man who continually pleaded his innocence - acquitted. But the welcome home banners don’t last far beyond the first episode. Just two years after his release, the then 43 year-old Avery is arrested on suspicion of murdering Teresa Halbach - an Auto Trader photographer he'd commissioned to help sell vehicles on numerous occasions. This isn’t something to visit in weekly instalments - to do so would undermine the near-flawless cliffhanger mould. The lack of a neat finale is exasperating, but this ultimately lies outside the filmmakers' control. A lot of things are left unclear in this harrowing and extremely frustrating crime saga, but the main takeaway is that it is possible to create event television without making a show's launch an event in itself. Just imagine the follow-up series never happened - that’s what we do!
Read Empire’s review here
When They See Us
Across a four-episode limited series, director Ava DuVernay tells the story of the ‘Central Park Five’ – a group of Black boys and boys of colour who were falsely accused of raping a white woman in New York’s Central Park in 1989. Charting the court case and charges that followed, detailing the institutional racism and corruption that informed a horrendous injustice in the process, DuVernay leaves no stone unturned as she paints a shocking portrait of systemic racism and how the American media cycle and justice system so readily makes monsters of Black men.
The Social Dilemma
Part docu-drama and part absolutely terrifying glimpse at just how much of a grip the likes of Facebook and Twitter have on our shared consciousness, The Social Dilemma recruits former Silicon Valley types to talk about how the technology strokes our ego and stabs at our pleasure/pain receptors to keep us glued to our screens. If you're not taping up your webcams and contemplating launching your devices into the sea by the end of this then you're made of sterner stuff than us - Big Brother (or, y'know, Big Tech) is watching us.
Metallica: Some Kind Of Monster
The world’s most successful heavy metal band is in crisis. The bassist has resigned, the lead singer’s battling alcohol, the drummer’s despised by the fans and yet, amid bitter in-fighting, they reconvene for a new album. An excruciating watch at times, the unflinching bluntness of Metallica: Some Kind Of Monster makes this a singular viewing experience. For all their flaws, of which this doc exposes a great many with welcome candour, the band's rock godhood nevertheless remains intact.
Read the Empire review.
Miss Americana
While rising from a teen country prodigy to the affable, world-touring performer we see today, Taylor Swift has created a lucrative, international brand that intoxicates fans but polarises the general public. Collaborating with documentarian Lana Wilson, Swift addresses the agony and the ecstasy that comes with fame as the country girl turned pop behemoth tackles the release, backlash, and her own backlash to the backlash of her hotly debated sixth studio album, Reputation.
Read Empire’s review here
Dick Johnson Is Dead (2020)
Plotting ways your father can die would, you might think, make for a documentary that sits right alongside true crime tales. But Kristen Johnson's brilliantly bizarre Dick Johnson Is Dead instead functions as a heartfelt, warm, and immensely funny love letter to the filmmaker’s father Dick, who has been diagnosed with dementia. He's all in on the scenarios as his death is staged in increasingly barmy ways, and the resultant work is a meditation on familial connection and mortality that - contrary to the film’s morbid subject - is brimming with life.
Crip Camp: A Disability Revolution
Summer camp tends to be a rite of passage for many kids, especially across the pond. But just over the road from Woodstock, New York State, a revolution blossomed in a ramshackle summer camp for teenagers with disabilities, transforming their lives and igniting a landmark movement. Crip Camp: A Disability Revolution tells the uplifting, charming and honest untold story of a group of individuals who refuse to be defined by their disability, and whose righteous indignation at societal prejudices led variously to help affect seismic social change in America alongside civil rights and LGBTQ+ activists.
Watched all of them already? Why not have a look at our list of what to watch on Disney+, or if you prefer your streamers fruit-based, then our guide to the best of Apple TV is pretty juicy too (pun absolutely intended.)